Musings with Esther Chang
In perfect balance
a Collaboration with esther chang
photographed by marina denisova
I met Esther in Florence almost two years ago now and immediately felt drawn to her smooth and refined natural body movements. Later I learnt about her art practice, her interest in craftsmanship and tradition while still challenging the Old masters. Her attraction for the uncanny and the mysterious made her an ideal fit to be one of our muses for our first collection, “The Ritual”, and the perfect opportunity to collaborate came up when she returned to Florence for her second art residency at Numeroventi, where our talented friend and photographer Marina Denisova captured her during her creative process, surrounded by her series Ukiyo.
Where’s home for you?
Home is a feeling of being present and grounded within.
Can you describe what led you to become an artist?
I studied painting in my undergraduate studies and went on to pursue a studio practice in fine arts. What fascinates me about visual language is the possibility of expressing oneself beyond words. As cliché as it sounds, there’s so much enjoyment and fulfillment about creating something out of nothing from one’s own hands.
Figurative or abstract?
My work combines elements of figuration and abstraction. I’m interested in translating human presence through non-figurative subjects. When I came across a Kazuo Shiraga painting, what I saw in the abstract mass of paint, was the transcendental body- more powerful and present than a figurative work. It was as if the painting was breathing. I found that being intuitively present during the process while letting materials activate on their own makes the image come alive.
Esther during her art residency at Numeroventi, Florence.
Photographed by Marina Denisova.
Esther’s series Ukiyo. Photographed by Marina Denisova.
What sort of things do you find inspiring? Where do you find them?
I take delight in the unexpected- in objects of antiquity and nature. I try to find beauty in something that is otherwise considered imperfect or incomplete.
How’s your process for starting a new project? Do you prefer solitude or crowded places to concentrate?
I tend to start a project with a loose charcoal drawing and then let the work develop in its own direction. The emphasis is on the process more than a fixed outcome. In my process, I strive to create an ordered image from chaos. This involves being aware of the push and the pull, the addition and subtraction of materials in relation to what’s being depicted in the image. I work best in complete solitude.
What’s the inspiration to your interpretation of “The Ritual”?
When I create art, it’s a ritual that requires me to turn inward and draw from my source of inspiration. It’s like a ceremony- the more I slow down in my art-making, the more grounded and wholesome the experience of creating.
Is body movement influential in your work?
I think of painting as a dance. I often start my works loosely. This requires me to keep my body movement fluid. The energy that passes from hand to brush becomes a gestural dance ultimately recorded on canvas.
What sort of shapes and materials do you feel attracted to?
I’m attracted to organic forms and irregular shapes. I prefer natural over synthetic materials and I enjoy materials that create patina overtime.
Esther working on her series Ukiyo at Numeroventi. Photographed by Marina Denisova.
This has been your second art residency at Numeroventi, what’s so special about this place?
Numeroventi is a rare space where art, design, and living intersect. You can find me enjoying art most, not in the grand halls of a museum or in the bright space of a pristine gallery, but in a home or studio of an artist. Numeroventi is a home for artists. What a home offers is a certain breathing room for the spirit- a chance to be in the present as one takes part in a greater visual experience beyond one's individual work.
What are your favourite places in Florence?
An early morning walk at the Giardino Bardini is how I like to start the day as I watch the city of Florence wake up.
How would you describe RUS universe in three words?
Non-conformist. Fluid. Distinctive.
Do you have any ritual that can transform your mood in an instant?
A perfectly brewed cup of coffee.
Esther in balance wearing SHI-TSU lightweight dress and SHOJI pleated pants. Photographed by Marina Denisova.
How’s your typical day? What rituals do yo you follow to relax and disconnect?
My days are usually spent in the studio working on projects. In the evenings, I’ll sometimes check out a new art show or get together with friends. When I’m home, I like to unwind with a hot cup of tea and a good book.
Name three artists that inspire you. Why?
Francis Bacon for his philosophy on art-making. Georgia O’Keefe for her unapologetic sense of style. Eugène Carrière for his sensual monochromatic portraits.
A book currently in your nightstand?
Orlando by Virginia Woolf.
Do you have any ritual to get dressed in the mornings? How do you decide what to wear?
I dress for comfort and function when I go to work in the studio- usually a head-to-toe black tee and jeans uniform. If I’m feeling fancy, I throw on a neck scarf. When I’m out of the studio, I keep things sleek and simple, emphasizing on accessories.
Do you have any garment you’ve loved for a long time? What makes it special?
I love my boxy tweed jacket. It was passed down from my grandma!
Less is more? Name three clothing items always present in your luggage.
An oversized wool blazer or jacket, a silk scarf, cropped pants.
What’s your favourite season to get dressed?
Autumn- beloved for layering.
What’s next for you in the following months?
I’m currently working on a new painting series and preparing for an upcoming show. This year I would like to start incorporating sculpture into my work. I wish to make time for more travel and artist residencies.
Esther interpreting “The Ritual”. Photographed by Marina Denisova.
Esther wearing SHUKI ribbed wool dress over NIWA fine cashmere sweater. Photographed by Marina Denisova.